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Soft Cell's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell alongside Marc Almond at Leeds during 1977

Dave Ball, a key member of the pioneering 1980s synth-pop band Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the team achieved a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a classic of electronic music.

He later formed the pioneering techno group The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his sleep at his residence in London on October 22, only a short time after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

At that show, Ball performed in a wheelchair, as he had for the last two years, following a period of ill-health.

"I managed to damage myself quite a bit," he stated in a recent interview. "I broke spinal bones in my spine and cracked about multiple ribs and broke my wrist."

After contracting a lung infection and suffering from blood poisoning, he was put in an induced coma and remained in hospital for half a year.

However, he had been in "a great place mentally" during the warmer months, as he was developing a new album with Almond, called the upcoming Danceteria, which is scheduled for release next year.

"He was focused and so happy with the latest project that we actually completed only a few days ago," said the vocalist in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an uplifting year for him, and I take some solace from the knowledge that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an immense aspect of my existence and for the music you created with me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".

"Being in a partnership with someone is different from being in a band, the bond is very tight," he added.
"That was the case with us. We experienced so many remarkable, incredible, memorable experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Born into a single-parent household in Chester in 1959, Ball was given up for adoption when he was a year and a half of age.

He grew up in Blackpool with adoptive parents Donald and Brenda Ball, who altered his given name from his birth name to his adopted name, alongside his sibling Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both learning fine arts. Fuelled by a mutual passion of a music genre, they established Soft Cell the very year, and promptly recorded an EP.

Musical Partnership

The duo were an distinctive combination: Ball was the reserved technician, hunched over his keyboard, while Almond was a flamboyant showman, all glitter and eye-liner; but they attained a rare creative synergy.

Ball had developed a interest with electronic instruments after viewing Kraftwerk perform on a television program Tomorrow's World, and started to marry dark electronica to the soaring melodies Almond was writing.

Their signature song became the United Kingdom's second most popular song of the early 80s, shifting millions of units worldwide. Alongside successful tracks by other artists, Human League and Ultravox, it contributed to paved the way for the electronic music style of the 1980s.

The song was also included on their first album, their initial LP, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which reached at number two in the following year.

Soft Cell in the studio
The pair were developing new material until just before Ball's passing

Career Highlights

Success had its upsides. "I loved being able to afford my initial property, having financial security and exploring, which makes me sound like a beauty queen," Ball not long ago shared with a publication.

But it also presented challenges. "Newfound wealth allowed we could purchase substances to relieve the monotony" of media interviews and TV performances, Ball said.

"I realize that's a cliché, but it's a cliché for a good reason, because it works for so many musicians."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they succeeded to produce a follow-up memorable record - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released another album, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on other projects.

Almond proceeded to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with ambient pop over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.

Following a further hiatus, they reappeared in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on 30 September, 2018.

Yet, they remained active, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately characterized the duo's new album as a tribute to the New York club scene they visited while making their first two albums.

He noted that his time in hospital had shaped the group's music.

"I had strange recollections when I was in and out of hospital because I was on pain medication," he explained to a publication.
"The new songs are a electronic representation of the sounds in my head from that time.
"Simultaneously, it's about the experiences we got up to in the 1980s."

The last versions were finished only a short time before Ball passed away. It is due for launch in Spring 2026.

The writer

Cheryl Briggs

A tech journalist and innovation strategist with over a decade of experience covering digital advancements across Europe.

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